The Tower

The Tower

  • Downloads:3771
  • Type:Epub+TxT+PDF+Mobi
  • Create Date:2021-10-02 07:51:07
  • Update Date:2025-09-06
  • Status:finish
  • Author:François Schuiten
  • ISBN:1684057310
  • Environment:PC/Android/iPhone/iPad/Kindle

Summary

The fifth release in Alaxis Press' The Obscure Cities series to be published by IDW brings the award winning graphic novels to readers in English with an all-new translation!

Giovanni Batista is a third-class maintainer of the Tower。 His section is deteriorating more and more by the day and he has not heard from any of his inspectors or fellow maintainers in months。 He makes the decision to go to the base office to file a complaint。 While using his chute, he ends up somewhere even higher than his level。 He meets Ellias Aureolus Palingenius and the lovely Milena。 Together with Milena, he tries to figure out the purpose of the Tower。 He finally decides to Climb to the top。

The Tower, presented in this new edition, is the fabulous story for the exploration of a deliquescent world, an epic fable to the dimensions of world-building, a fantastic escape full of paradoxes, simulacra, and pretense。 Magnificent mastery, invention, poetry, this is undoubtedly one of the most beautiful jewels of the exciting saga of the OBSCURE CITIES。

Download

Reviews

Lotte

Fantastic re-imagination of the myth of the tower of Bable。 Schuiten's and Peeter's starting-off point is the Brueghel painting, to which they add other references, like Pironesi's prison etchings (Le caractérise d'Invenzione) and Orson Welles, who posed for the main character。 As with the other installments in this series, I enjoy the ominous atmosphere, the architectural environments and the voyage the characters undertake。 Still not a fan of female representation: there is mostly only one gir Fantastic re-imagination of the myth of the tower of Bable。 Schuiten's and Peeter's starting-off point is the Brueghel painting, to which they add other references, like Pironesi's prison etchings (Le caractérise d'Invenzione) and Orson Welles, who posed for the main character。 As with the other installments in this series, I enjoy the ominous atmosphere, the architectural environments and the voyage the characters undertake。 Still not a fan of female representation: there is mostly only one girl, who likes to undress as quickly and possible and who seduces our main character 。。。 。。。more

Palimp

Una de las mejores de la serie, con esa torre de babel infinita y opresiva, a mitad de camino entre Kafka y Piranessi。

Marc Bosch

This review has been hidden because it contains spoilers。 To view it, click here。 Maravilloso relato a través del cual Shuiten-Peeters continúan expandiendo las similitudes entre las ciudades y los personajes arquetípicos que las habitan y que nos habitan。 En este volumen, nos encontramos a Giovanni que abandona su reducido espacio de confort cuando su vida empieza a desmoronarse y empieza su particular búsqueda del sentido de la vida。 Se encontrará en el camino a personajes que le orientan y otros que han perdido el norte。 Giovanni tendrá que incorporar y dialogar con aquell Maravilloso relato a través del cual Shuiten-Peeters continúan expandiendo las similitudes entre las ciudades y los personajes arquetípicos que las habitan y que nos habitan。 En este volumen, nos encontramos a Giovanni que abandona su reducido espacio de confort cuando su vida empieza a desmoronarse y empieza su particular búsqueda del sentido de la vida。 Se encontrará en el camino a personajes que le orientan y otros que han perdido el norte。 Giovanni tendrá que incorporar y dialogar con aquellos que son capaces de aportarle ayuda a la vez que se aleja de aquellos aspectos sombríos que le atan a la torre。 En su particular búsqueda dejará atrás las zonas elevadas que no llevan a ningún sitio y junto con Milena se adentrará en un descenso a las profundidades del inconsciente para acabar encontrando una salida a la realidad de la existencia, justo en el lugar donde se desarrollan los combates cotidianos。La ambientación, las constantes referencias a otros ámbitos de las artes así como las ilustraciones de Shuiten invitan a detenerse un largo rato en cada una de las viñetas。 Una obra maestra。 。。。more

Alex

After "The Walls of Samaris" and "Fever in Urbicand" I was expecting something at least great from the duo Schuiten/Peeters。 This, wasn't。 Ok, I've read it in an unofficial translation but apart from the art (which was really good but not as good as the first two), story was vague and abstract in a bad way, with no beggining or end, really tiring to read。 Ofc i'll continue on with "Les Cites obscures", 2 out of 3 is a fairly good percentage。 :P After "The Walls of Samaris" and "Fever in Urbicand" I was expecting something at least great from the duo Schuiten/Peeters。 This, wasn't。 Ok, I've read it in an unofficial translation but apart from the art (which was really good but not as good as the first two), story was vague and abstract in a bad way, with no beggining or end, really tiring to read。 Ofc i'll continue on with "Les Cites obscures", 2 out of 3 is a fairly good percentage。 :P 。。。more

Tristan

This is a beautiful graphic novel, mostly in black and white, in a style reminiscent of the engravings illustrating the original Jules Verne novels, just as the dialogue mimics the French spoken in Verne’s times and earlier。 The artwork is truly exceptional with vertiginous perspectives and glorious architectural detail although the characters are a little stiff, as in engravings。The very slender story follows a maintenance man, supposedly one of the first to be appointed and one of the last to This is a beautiful graphic novel, mostly in black and white, in a style reminiscent of the engravings illustrating the original Jules Verne novels, just as the dialogue mimics the French spoken in Verne’s times and earlier。 The artwork is truly exceptional with vertiginous perspectives and glorious architectural detail although the characters are a little stiff, as in engravings。The very slender story follows a maintenance man, supposedly one of the first to be appointed and one of the last to have stayed in his post, working to keep the crumbling Tower standing, then seeking to complain to his absent bosses, and finally trying to make sense of the futility of his work, of his existence, and of the Tower’s unknowable purpose。 It seems that the gigantic Tower has not existed long if its timescale is coterminous with the protagonist’s working lifetime, although that does not fit with the Tower’s impossible scale and decrepitude, nor does it fit with the quasi legendary nature of the ground civilisations, which are depicted in contrasting colour in paintings and then in what passes for reality at the foot of the Tower。There’s a fair bit of philosophising about futility and hubris, a fair bit of travelogue, and a fair bit of female nudity (it’s a Franco-Belgian graphic novel after all), all wrapped up in flair and panache, but it’s rather light fare which leaves the reader intrigued but unfulfilled。 A great read nevertheless, time and again。 。。。more

Bouilloire

3,5/5

LuinGor

La tour est un univers assez fascinant : une sorte de tour de Babel délabrée dont on ne sait pas très bien où elle se situe par rapport aux Cités Obscures。Sa base et son sommet sont si lointains qu'ils en sont presque mythiques et Giovanni, un vieux bourru part à la recherche d'une extrémité (laquelle ?) de cette structure infinie et incertaine。 En chemin il tombe amoureux de la jeune et belle Milena et ce couple improbable finira par prendre la tête d'une armée napoléonienne。Ce tome est assez f La tour est un univers assez fascinant : une sorte de tour de Babel délabrée dont on ne sait pas très bien où elle se situe par rapport aux Cités Obscures。Sa base et son sommet sont si lointains qu'ils en sont presque mythiques et Giovanni, un vieux bourru part à la recherche d'une extrémité (laquelle ?) de cette structure infinie et incertaine。 En chemin il tombe amoureux de la jeune et belle Milena et ce couple improbable finira par prendre la tête d'une armée napoléonienne。Ce tome est assez fantaisiste, beaucoup plus délirant que les précédents, à l'image de l'architecture de la tour bien moins rigoureuse que celle d'Urbicande。Il s'agit d'un vrai récit d'aventure, avec ses rebondissements et ses surprises, où de nouveau l'architecture joue un rôle central。Très réussi 。。。more

Reyel2107

the perfect ruin !!!!

Mauricio Díaz

¡Maravilloso! Visual y narrativamente bello。 Un lifting para la mente。

Giekes

Intelligente fantasy? Of hoe moet je zoiets noemen?Uiteindelijk draait het toch vooral om de tekeningen! Intrigerend, meeslepend, mysterieus en een lust voor het oog。

Bodhisattva Chattopadhyay

Borgesian fable recasting the tower of Babel story。 Beautifully written and drawn。 Perfect。

Nuno R。

Babelian and intriguing。 One of the best in the "Cité obscures" masterpiece series。 Great character building and awe inspiring sense of magnitude。 Babelian and intriguing。 One of the best in the "Cité obscures" masterpiece series。 Great character building and awe inspiring sense of magnitude。 。。。more

luisa

that was weird

Anetq

Reread: a little disappointing。 Drawings still beautiful, though。

Karen Mardahl

I think my mind was slightly blown by the twists and turns of this tale。 And the drawings。 I happen to be reading The Sandman series kind of in parallel。 There is no comparison。 I think The Sandman is excellent。 This is turning out to be excellent, too。 But completely different。 I am not going to say anymore。 I will wait until I am all finished。 A practical note: The numbering of the albums confuses me。 This is called number 2 in Danish。 I see that it is number 4 in some other languages。 I think I think my mind was slightly blown by the twists and turns of this tale。 And the drawings。 I happen to be reading The Sandman series kind of in parallel。 There is no comparison。 I think The Sandman is excellent。 This is turning out to be excellent, too。 But completely different。 I am not going to say anymore。 I will wait until I am all finished。 A practical note: The numbering of the albums confuses me。 This is called number 2 in Danish。 I see that it is number 4 in some other languages。 I think it is not a problem, but I am puzzled by the difference。 I look forward to continuing my journey in this quite unique universe。 。。。more

David Ramirer

schuiten und peters gelingt in diesem grafisch opulenten comic eine wunderschöne hommage an brueghels "turmbau zu babel", wobei die hommage weniger das originalbild selbst als vielmehr die menschlichen bezüge der zugrundeliegenden idee sichtbar macht: wie fühlt es sich an, an einem unbeendbaren bauwerk mitgearbeitet zu haben? wohin führt die hybris und was ist ihr nutzen?weniger direkte oder gar pittoresk-simple antworten als eine emotionale herangehensweise an ein sehr altes thema sind hier zu schuiten und peters gelingt in diesem grafisch opulenten comic eine wunderschöne hommage an brueghels "turmbau zu babel", wobei die hommage weniger das originalbild selbst als vielmehr die menschlichen bezüge der zugrundeliegenden idee sichtbar macht: wie fühlt es sich an, an einem unbeendbaren bauwerk mitgearbeitet zu haben? wohin führt die hybris und was ist ihr nutzen?weniger direkte oder gar pittoresk-simple antworten als eine emotionale herangehensweise an ein sehr altes thema sind hier zu finden, man kann im eigenen bild des turmes nach dem lesen dieses comics richtig spazierengehen und wird auch brueghels bild mit anderen augen betrachten。 。。。more

Helmut

Auf, bauen wir uns eine Stadt und einen Turm mit einer Spitze bis zum Himmel。。。。。。um ihn dann irgendwann verfallen zu lassen。 Leider sind nicht alle "mainteneurs" so fleissig und zuverlässig wie Giovanni Battista, der seinen Sektor des Turms pflegt。 Irgendwann wird ihm die Isolation zu groß, und er bricht auf, um mit den Leuten zu sprechen, die ihm seine Aufgabe übertragen haben。 Doch der Turm ist groß, der Weg weit。。。Schon der Name des Protagonisten ist Programm: "https://en。wikipedia。org/wiki/ Auf, bauen wir uns eine Stadt und einen Turm mit einer Spitze bis zum Himmel。。。。。。um ihn dann irgendwann verfallen zu lassen。 Leider sind nicht alle "mainteneurs" so fleissig und zuverlässig wie Giovanni Battista, der seinen Sektor des Turms pflegt。 Irgendwann wird ihm die Isolation zu groß, und er bricht auf, um mit den Leuten zu sprechen, die ihm seine Aufgabe übertragen haben。 Doch der Turm ist groß, der Weg weit。。。Schon der Name des Protagonisten ist Programm: "https://en。wikipedia。org/wiki/Giovann。。。" listet Dutzende von Malern, Bildhauern und Architekten dieses Namens auf。 Ähnlich verwirrend ist die Architektur des Turms, man findet alle Baustile darin wieder, ordentlich aufrechterhalten oder zerfallend in Ruinen。 Der Herr zerstreute sie von dort aus über die ganze Erde und sie hörten auf, an der Stadt zu bauen。 Tatsächlich zerfällt der Turm, und auch die Bewohner haben sich gegenseitig nichts mehr zu sagen; teilweise wissen sie nicht voneinander, teilweise interessiert sie das Schicksal der anderen einfach auch nicht mehr。Ein sehr gelungener, weil wirklich gut gemachter und überraschender Effekt sind die farbigen Bilder im sonst völlig schwarzweiß gehaltenen Comic。 Ansonsten beeindruckt das Werk durch einen selten zu findenden sense of wonder, die unfassbare Größe des Bauwerks und den unglaublichen Aufwand, der in dessen Konstruktion gesteckt worden ist, erlebt der Leser hautnah mit - eine Welt für sich, die glaubwürdig und dabei gleichzeitig völlig fremdartig ist。 (view spoiler)[Ein Erlebnis ist schließlich, Giovanni beim Erreichen der Spitze des Turms zu begleiten, und dessen Enttäuschung, dass am Ende keine Erklärung für alles, kein Zusammentreffen mit einem höheren Wesen oder den Planern des Turms auf ihn wartet, sondern nur die Erkenntnis, dass der Turm trotz seiner Höhe immer noch nichts Göttliches erreicht hat。 (hide spoiler)]Um ehrlich zu sein, habe ich den Schluss mit den Armeen und deren Zusammenhang mit der Turmgeschichte nicht wirklich verstanden, es fehlt mir irgendwie ein Bindeglied zwischen diesen Bereichen, die nicht nur erzählerisch, sondern auch zeichnerisch weit auseinandergehen。 Erkennt Giovanni nach Verlassen des Turms, dass der Turm selbst in seiner Riesenhaftigkeit nur ein kleiner Teil der Welt ist? Ist der schwarzweiße Turm im Gegensatz zur bunten Außenwelt ein Relikt aus der Vergangenheit? Kontrastiert der Friede und die Ruhe innerhalb des Turms mit dem wilden Krieg außerhalb? Die bunte Welt der Malerei gegen die klaren farblosen Striche der Architektur? Die Klarheit der Menschensiedlungen des Turms gegen die unerklärliche Gruppenbildung und Zerstreuung der Menschen außerhalb? Interpretationsbedarf - das mag nicht jeder Leser; doch wenn man sich auf die seltsame Atmosphäre der Welt des Turms einlassen kann, lässt einen der Gedanken um ein solches Bauwerk nicht schnell wieder los。 Ich schwanke zwischen 4 und 5 Sternen, doch schon allein diese nun in meinem Kopf herumschwirrenden Ideenfragmente zwingen mich dazu, die 5 Sterne für hervorragende Literatur, denn nur diese schafft so etwas, zu vergeben。 。。。more

Leonard Gaya

La Tour marque une rupture visuelle par rapport aux précédents volumes de la série des Cités obscures : alors que Samaris et Urbicande étaient inspirés par le style moderniste ou art déco, La Tour fait référence à la peinture, de la Renaissance au XVIIIe siècle, notamment Pieter Brueghel l’Ancien, dont les diverses toiles sur le thème de la Tour de Babel sont une influence majeure, mais aussi Piranèse, pour ses prisons imaginaires et ses vues des ruines romaines。Le scénario, comme dans les autre La Tour marque une rupture visuelle par rapport aux précédents volumes de la série des Cités obscures : alors que Samaris et Urbicande étaient inspirés par le style moderniste ou art déco, La Tour fait référence à la peinture, de la Renaissance au XVIIIe siècle, notamment Pieter Brueghel l’Ancien, dont les diverses toiles sur le thème de la Tour de Babel sont une influence majeure, mais aussi Piranèse, pour ses prisons imaginaires et ses vues des ruines romaines。Le scénario, comme dans les autres albums, est bâti sur une idée très simple, développée de manière obstinée, jusqu'au délire : Giovanni, l'un des « mainteneurs » de la titanesque tour, vit en ermite dans un secteur reculé de celle-ci。 Inquiet de l’état de délabrement du bâtiment et de l’absence de réponse de ses responsables, vivant dans les niveaux inférieurs de l’édifice, il décide de partir à leur recherche。 À chaque instant, la corpulence du personnage, qui évoque le Falstaff d'Orson Welles, contraste avec la verticalité des perspectives de manière vertigineuse。 La présence féminine de Milena, plus tard dans l’histoire, apporte un contrepoint et, disons-le, une horizontalité à la fois piquante et rassurante。La quête de Giovanni l’amènera à parcourir la tour et à découvrir à la fois ses dimensions proprement cosmiques et son caractère indéchiffrable。 Une métaphore, sans doute, du monde réel。 La fin de l'album est à l'image de cette tour : une peinture dont le sens nous échappe。Pour finir : j'ai été frappé de la proximité d’inspiration entre ce récit et la nouvelle Tower of Babylon, qui ouvre le recueil de Ted Chiang, Stories of Your Life and Others。 。。。more

Florin Pitea

A baroque graphic novel with an attractive story line and very ambitious graphics。 Giovanni Battista Piranese meets the Tower of Babel。 Recommended。

Warwick

An inspired literary and illustrative riff on art history, the fourth volume of the Cités obscures series digs back in time to tell a story from the legendary prehistory of the obscure world。Giovanni Batista (who appears to be modelled physically on Orson Wells) is a mainteneur living somewhere near the top of a colossal structure known only as The Tower。 The Tower is truly gigantic, although, since Giovanni himself lives well above the cloud line, we're never sure exactly how high it really is。 An inspired literary and illustrative riff on art history, the fourth volume of the Cités obscures series digs back in time to tell a story from the legendary prehistory of the obscure world。Giovanni Batista (who appears to be modelled physically on Orson Wells) is a mainteneur living somewhere near the top of a colossal structure known only as The Tower。 The Tower is truly gigantic, although, since Giovanni himself lives well above the cloud line, we're never sure exactly how high it really is。 His job is to carry out basic repairs and upkeep in his sector, and things are not going well – masonry is crumbling, stones are cracking, supplies are running out, and no one down below seems to be answering any of the urgent messages he sends。 Living alone, talking to himself, and subsisting on eggs from a captive flock of geese, he eventually decides to do the unthinkable and abandon his position, setting out over the eroded staircases and crumbling tunnels to try and make contact with someone somewhere else in the vast edifice, and find some answers。There are two presiding geniuses that hang over the world of La Tour – one is of course Brueghel, whose Tower of Babel bears a strong resemblance to the Tower here, and in a sense this whole book is just an imaginative project to place you inside the world of that picture。 Giovanni Batista's name is the clue to the other major influence – Giovanni Battista Piranesi, whose etchings are a major influence for Schuiten。 The interiors here are modelled in large part on Piranesi's ‘Prisons’ sequence – compare this, for instance…to some of the panels in La Tour:It's quite a change of pace after the previous three books, whose architectural styles seemed rooted in the early decades of the twentieth century; here the effect is much more ancient, Romantic even。 The story is rich and dense and long – it covers more than a hundred pages, when the standard size of a French BD album is forty-something pages, and consequently it has a kind of immersive, rambling feel which contributes to the storytelling。Also notable is a clever use of colour – the story is mostly in black-and-white, but near the end we discover that the whole world may not, perhaps, be that way。 It's another very compelling volume in this series which yet again expands the universe in several ways, as well as being a foundational myth for the other books (years in the obscure world are, we will discover, dated AT – ‘after the Tower’)。 I'm sure there are a lot of visual references I'm missing too。 Repress your vertigo, brush up on your art history, and climb aboard。 。。。more

Victoria Haf

Amo las escenografias de Shuiten, dibuja mundos que sólo hay en los sueños, y dibuja increíble en general, este comic me gustó porque toda la historia transcurre en blanco y negro y sólo los lienzos de los cuadros están a color

Robbe

The third and for now (having read four of them) my favourite in this excellent series。 The art and the rich details are in all of them are really beautiful。 The uses of architecture is interesting, but what I appreciate most in these are the cultural references and the way the stories are full of philosophical ideas and are themselves a metaphor for these ideas。 It's no wonder, knowing that Benoît Peeters also wrote an aclaimed biography of Jacques Derrida。 (And if I'm not mistaken, he studied The third and for now (having read four of them) my favourite in this excellent series。 The art and the rich details are in all of them are really beautiful。 The uses of architecture is interesting, but what I appreciate most in these are the cultural references and the way the stories are full of philosophical ideas and are themselves a metaphor for these ideas。 It's no wonder, knowing that Benoît Peeters also wrote an aclaimed biography of Jacques Derrida。 (And if I'm not mistaken, he studied philosophy at the sorbonne) 。。。more

André

Interesting concept, but a bit too vague。 The drawings, actually, are pretty good。

Mali Morsky

E u ovom djelu su definitivno izmiksane some of my favorite things。 Dođe mi da istražujem ponovno :D